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Frank Cotolo
February 3, 2022 |
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You have to be an aficionado of fine jazz to know the name Bennie Bullhorn, so let me tell you
about the fellow I knew who was a pioneer of abstract jazz and a shadowy figure admired by jazz
greats throughout the world.
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Bennie Bullhorn died last month. He was officially 89, though some claim he was 98 and others
claim he was only 60 or 70. That's how timeless Bennie became to a community of musicians that
were inspired by his courageous ideas about jazz.
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Stimpy Saltine, jazz produced, once said, "The Bullhorn made us all look like we never had a
musical thought. He would spit out ideas for arrangements like they were pistachio shells."
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Bullhorn literally made the career of Byron Stalk when he suggested that the saxophonist improvise
on a famous jazz tune with a large road apple as a mute. Four albums later, Stalk versions of
jazz classics resulted in 56 platinum albums.
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Born in Baudette, Minnesota, two feet from Canada, Bullhorn was the son of two parents, both poor
as sin. He had an ear for music and although he parents knew, they could never afford an
instrument. His father told him to improvise—and that is just what Bennie did. He used bamboo
tubes, wet tree leafs, rubber bands attached to two-by-fours, banana peels and anything else that
would make a sound.
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Then, one day when the circus came to town, a circus musician heard young Bennie playing melodies
with ordinary objects. That musician was Harmonius Hal Hacktrain. He convinced Bennie to join
the circus, telling him neither of his parents would notice he was gone.
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